Because of shrinkage, some of my DS colors have trouble staying put and will pop out of their pans. One other small issue I've noticed is that some DS colors (like raw umber) shrink drastically while drying, which wouldn't be an issue except I prefer to squeeze my colors into pans. Many artists aren't happy giving up that control, and I understand. When using these pigments, sometimes I just have to back away and let the paint do its thing. Strongly granulating pigments can be especially hard for beginners to control and may not play well in mixes. Many seasoned artists love this, but many don’t. The sheer number of choices along with the constant introduction of new ones is great for artists who love color and experimentation, but it can be overwhelming for beginners or frustrating for those who quickly tire of sorting through 40+ reds.Īlso, DS has a strong love affair with granulation. Daniel Smith's popularity has partly arisen from their massive selection of colors, but also their watercolors are often made with pigments that no other company offers.ĭS is known for pushing the pigment envelope with masterly beautiful results, and they aren’t afraid to introduce new pigments and colors. In conclusion, Winsor & Newton watercolors tend to be:ĭaniel Smith began in 1976 with the manufacture of printing inks, but they have become one of the most popular watercolor brands in the U.S. WN also offers plenty of their colors in 5 ml sizes, and though you'll pay dearly per ml for these tiny tubes, purchasing a few can help you test colors without a serious investment. Many artists love WN’s light value because the paints work so well in glazes, yet this characteristic can cause them to go washy in mixes, and their transparency often doesn't play well when mixed with highly granulating pigments.īecause of WN's longstanding popularity, this brand is very convenient to find even general craft stores often carry them. Though WN is typically the most expensive of the three, in addition to their 14 ml sizes, WN offers many of their colors in an economical 37 ml size. They lift easily (sometimes too easily) and move beautifully and, in my hand, build up slowly to darks which leaves me plenty of time to work the page. WN watercolors tend to be very transparent (I rarely notice any granulation in the colors I own) and look like traditional watercolor should on the page-very clean and bright. Through the years, WN has consistently produced an excellent product which has resulted in the brand often being described by artists as "The Standard."Īnd I do see the attraction. Winsor & Newton watercolors (or watercolours for the diehard WN fan) have been in production since 1835 and currently offer 96 colors. Oh yes, and for the sake of fingers that quickly get tired when repeatedly typing out the full brand name, WN is Winsor & Newton, DS is Daniel Smith, and MG is M. Good places to start are these pages at Handprint and Wet Canvas (scroll down to “What Brands are Best”). The comparisons below are simply my personal observations regarding the three brands of paint and not necessarily true of every tube in every color of that particular brand.Īlso, brands and paints react and appear differently with each individual artist, so my opinions may not be yours. I highly encourage you to compare my observations with other watercolorist. However, all three brands are extremely well made, highly reliable watercolors that can work perfectly well together in a palette. So I thought it might be helpful to compare these three, top watercolor brands along with their typical characteristics. Though I don't think it's important to be brand loyal and doing so can actually work against an artist, brands are often known for certain attributes that fit a particular painting style. Though I use a mix of artist-grade watercolors from a variety of manufacturers, these three watercolor brands comprise the bulk of my palette. Graham, and Winsor & Newton mentioned most often. When lurking in painting forums and stalking well-known art bloggers, you'll likely see Daniel Smith, M.
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